| 1 | Feb 16, '24 | L'Hypnotiseur, by Joan Miró, 1969, 📸 via @espn | 34.9× | 9.1M | 78k | 4.6k | 2.9k |
| 2 | Jan 22, '24 | The Feast Of Bacchus, by Phillips de Koninck, 1654, 📸 by @k__h__r | 32.8× | 8.6M | 86k | 11k | 2k |
| 3 | Oct 6, '25 | Broken Eggs, by Jean-Baptiste Greuze, 1756 | 25.6× | 6.7M | 42k | 2.6k | 1.6k |
| 4 | Feb 18, '24 | The Fall of Icarus, by Francesco Allegrini, 17th century | 25.2× | 6.6M | 81k | 3.5k | 1.6k |
| 5 | Feb 17, '24 | Children’s Games, by Pieter Bruegel the Elder, 1560 | 24.4× | 6.4M | 61k | 3.4k | 1.3k |
| 6 | Jun 25, '24 | Christ as the Man of Sorrows, by The Master of Sankt Kathrein, 1475, 📸 by Boris Streubel | 24.4× | 6.4M | 109k | 8.9k | 4.8k |
| 7 | Dec 8, '24 | Jesus Healing the Lame & Blind, by François-Louis Dejuinne, 1817, 📸 by Phil Ellsworth | 18.9× | 4.9M | 53k | 2.8k | 1.2k |
| 8 | Feb 28, '24 | Un Bar aux Folies-Bergère, by Édouard Manet, 1882, 📸 via Jenny Fogarty | 17.9× | 4.7M | 112k | 7.7k | 3.2k |
| 9 | Sep 17, '24 | Saint Cosmas and Saint Damian Salvaged, by Fra Angelico, 1438-40, 📸 via @parlayraina | 17.8× | 4.7M | 27k | 1.3k | 551 |
| 10 | Apr 1, '24 | Group IV, The Ten Largest, No. 3, Youth, by Hilma af Klint, 1907, 📸 by @michaelgonzvis | 15.9× | 4.2M | 44k | 2.5k | 858 |
| 11 | Apr 10, '25 | The Return of the Prodigal Son, by Guercino, 1651 | 15.6× | 4.1M | 80k | 9.2k | 2.9k |
| 12 | Feb 21, '24 | The Triumph of Marius, by Giovanni Battista Tiepolo, 1729 | 15.3× | 4M | 62k | 3k | 2k |
| 13 | Feb 12, '24 | The Mocking of Christ, by Carl Heinrich Bloch, 1880, 📸 via @BleacherReport | 15.1× | 4M | 57k | 5.4k | 1.7k |
| 14 | Oct 20, '24 | Slaying of the Devil (by St. Michael), artist unknown, late 16th century, 📸 by Jason Miller | 14.2× | 3.7M | 84k | 9.3k | 2.5k |
| 15 | May 22, '25 | The Kiss of Judas, by Luca Giordano, 1655-75, 📸 by @albello55 | 13.9× | 3.6M | 58k | 4k | 1.7k |
| 16 | May 8, '25 | Massacre in Boston, by Jacob Lawrence, 1955, 📸 by Brian Babineau | 13.4× | 3.5M | 45k | 3.2k | 1.1k |
| 17 | Feb 12, '24 | The Wine Glass, by Johannes Vermeer, 1658-1660 | 12.8× | 3.3M | 29k | 2.3k | 658 |
| 18 | Nov 3, '24 | Apparition of the Apostle Peter to Saint Peter Nolasco, by Francisco de Zurbarán, 1629 | 12.5× | 3.3M | 62k | 3.8k | 1.1k |
| 19 | Jul 27, '24 | The Garden of Earthly Delights, by Hieronymus Bosch, 1480-1505 | 12.4× | 3.2M | 41k | 2.5k | 1.1k |
| 20 | Apr 19, '25 | Clown, by Georges Rouault, 1912 | 11.1× | 2.9M | 78k | 6k | 1.8k |
| 21 | Mar 19, '24 | The Resurrection, by Dieric Bouts, 1480, 📸 by @FranManzano__ | 10.8× | 2.8M | 44k | 4.9k | 936 |
| 22 | Sep 12, '23 | Self-Portrait in Hell, by Edvard Munch, 1903 | 9.3× | 2.4M | 28k | 3.5k | 345 |
| 23 | May 13, '24 | The Argument, by Johann Hamza, late 19th century | 9.1× | 2.4M | 26k | 1.6k | 417 |
| 24 | May 20, '24 | A Wolf in a Rocky Landscape, by follower of Frans Snijders, late 17th/early 18th c, 📸 via @Timberwolves | 9.0× | 2.3M | 44k | 6.6k | 1.2k |
| 25 | Jul 1, '24 | Carnival Scene, by Giandomenico Tiepolo, 1754-55, 📸 via @TheEuropeanLad | 8.3× | 2.2M | 54k | 4.7k | 1.8k |
| 26 | Mar 3, '24 | The Kiss of the Muse, by Félix Nicolas Frillié, 1857, 📸 via @TheEuropeanLad | 8.1× | 2.1M | 36k | 1.6k | 556 |
| 27 | Feb 10, '25 | At the Deathbed, by Edvard Munch, 1895 | 8.0× | 2.1M | 59k | 5k | 1.6k |
| 28 | May 11, '25 | Meeting at the Golden Gate, by Giotto, 1303-06 | 7.8× | 2M | 37k | 1.7k | 761 |
| 29 | Feb 26, '24 | Untitled, by Freddy Rodríguez, 1985 | 7.7× | 2M | 38k | 1.3k | 717 |
| 30 | Jul 26, '24 | Autumn on the Seine, Argenteuil, by Claude Monet, 1873 | 7.2× | 1.9M | 41k | 3.7k | 1.4k |
| 31 | Mar 6, '24 | The Massacre of the Innocents, by Nicolas Poussin, 1625-32 (other options: ) | 7.1× | 1.9M | 45k | 2.1k | 773 |
| 32 | Feb 27, '24 | Aeneas Fleeing from Troy, by Pompeo Batoni, 1753 | 6.4× | 1.7M | 30k | 1.1k | 393 |
| 33 | Oct 9, '24 | The Last Judgement (detail), by Michelangelo, 1536-41, 📸 by @krissyy_elyse | 6.3× | 1.7M | 40k | 1.6k | 565 |
| 34 | Feb 19, '24 | Amsterdamer Waisenkind, by Max Liebermann, 1881, 📸 by @treykerby | 6.2× | 1.6M | 48k | 1.6k | 542 |
| 35 | Jan 19, '25 | @SharpFootball Blue Smash, by Adolph Gottlieb, 1960 | 5.8× | 1.5M | 28k | 1.4k | 420 |
| 36 | Mar 20, '24 | Barbara (Ant 113), by Yves Klein, 1960, 📸 via @WorldWideWob | 5.8× | 1.5M | 36k | 1.6k | 487 |
| 37 | May 7, '24 | The Agony in the Garden, by El Greco, 1600-05, 📸 via @VGondy | 5.6× | 1.5M | 33k | 3.4k | 761 |
| 38 | Dec 23, '24 | Free Curve to the Point - Accompanying Sound of Geometric Curves (rotated), by Wassily Kandinsky, 1925, 📸 by @redwingdgr | 5.6× | 1.5M | 36k | 1.9k | 908 |
| 39 | May 7, '24 | The Burial of the Count of Orgaz, by El Greco, 1586, 📸 via @MichelleSichak | 5.1× | 1.3M | 35k | 3.4k | 883 |
| 40 | Nov 30, '24 | Benim Cehennemim, by Princess Fahrelnissa Zeid, 1951 | 5.0× | 1.3M | 32k | 1.4k | 481 |
| 41 | Dec 17, '24 | The Death of Cleopatra, by John Collier, 1890 | 4.9× | 1.3M | 27k | 1.4k | 397 |
| 42 | Mar 1, '24 | Two-on-Two, by Ernie Barnes, late 20th/early 21st century, 📸 by @dcarrollphoto | 4.8× | 1.3M | 46k | 2.1k | 696 |
| 43 | Mar 3, '24 | Perseus with the Head of Medusa, by Benvenuto Cellini, 1545–54, 📸 by @jdeez | 4.8× | 1.3M | 43k | 2.6k | 812 |
| 44 | May 24, '25 | The Agony in the Garden, by Eugène Delacroix, 1824-27, 📸 via @DimeUPROXX | 4.7× | 1.2M | 40k | 2.3k | 895 |
| 45 | Feb 19, '24 | Hippomenes and Atalanta, by Guido Reni, 1620-25 | 4.7× | 1.2M | 25k | 727 | 260 |
| 46 | Apr 13, '24 | The King Drinks, by Jacob Jordaens, 1640 | 4.6× | 1.2M | 30k | 909 | 298 |
| 47 | Mar 2, '24 | Sense títol, by Joan Miró, 1939 | 4.6× | 1.2M | 29k | 982 | 369 |
| 48 | Mar 4, '24 | The Virgin with the Infant Christ Drinking Wine, by Joos van Cleve, 1520, 📸 via @itsmeglinehan | 4.6× | 1.2M | 29k | 1.6k | 508 |
| 49 | Feb 12, '24 | Siesta, by Frank Duveneck, 1887, 📸 by Kyle Rivas | 4.5× | 1.2M | 26k | 2k | 314 |
| 50 | Feb 29, '24 | Memory, by René Magritte, 1948, 📸 via @TrevorBarry92 | 4.4× | 1.1M | 25k | 513 | 349 |
| 51 | Feb 18, '24 | @BleacherReport maybe closer vibes to The Eve of the Strike (Dark Clouds), by Jan Toorop, 1888-89 | 4.3× | 1.1M | 42k | 1.1k | 447 |
| 52 | Jul 9, '24 | Untitled, by Georgia O'Keeffe, 1979, 📸 by @franck_fife | 4.3× | 1.1M | 31k | 1.8k | 530 |
| 53 | Aug 31, '24 | the people have spoken: The Resurrection, by Paolo Veronese, 1570s, 📸 by @eightxten | 4.2× | 1.1M | 27k | 1.2k | 226 |
| 54 | Mar 6, '24 | Christ Crowned with Thorns, by Hieronymus Bosch, 1490-1500, 📸 by Tom Jenkins | 4.2× | 1.1M | 26k | 1k | 351 |
| 55 | Apr 23, '24 | Pietà, by Pietro Perugino, 1512-23, 📸 by @aaronontiveroz | 3.8× | 991k | 26k | 2k | 481 |
| 56 | Feb 19, '24 | Christ and Saint Peter at the Sea of Galilee, by Scarsellino, 1585-90, 📸 via @KenHeLive | 3.7× | 962k | 26k | 959 | 307 |
| 57 | Oct 5, '25 | Still Life with Dead Birds (and a Basket of Oysters), by Germain Ribot, 1860-80 | 3.6× | 946k | 28k | 1.8k | 887 |
| 58 | Sep 12, '24 | Concorde Relief I, by Ellsworth Kelly, 1958 | 3.6× | 939k | 30k | 1.2k | 860 |
| 59 | Aug 3, '24 | @BronGotGame Self-portrait with Death playing the fiddle, by Arnold Böcklin, 1872 | 3.5× | 922k | 45k | 3k | 1.4k |
| 60 | Aug 9, '24 | Resurrection, by Dieric Bouts, 1455, 📸 by @aytcunal | 3.5× | 919k | 28k | 2.5k | 459 |
| 61 | Jun 23, '25 | The Swan, No. 24, Group IX, by Hilma af Klint, 1914, 📸 by me | 3.5× | 910k | 48k | 2.2k | 1k |
| 62 | Jul 28, '24 | Self-Portrait with a Beret, by Claude Monet, 1886, 📸 by @anjeedphoto | 3.5× | 904k | 29k | 1.1k | 271 |
| 63 | Jun 7, '24 | @TaylorRooks Camille Monet on a Garden Bench, by Claude Monet, 1873, 📸 via @IAmCHAP24 | 3.4× | 886k | 26k | 1.2k | 417 |
| 64 | Sep 14, '24 | The Garden of Earthly Delights, by Hieronymus Bosch, 1480-1505, 📸 by Wendell Cruz | 3.4× | 879k | 25k | 816 | 209 |
| 65 | Jun 20, '24 | Satan in Red, by Edward Hopper, 1900, 📸 via @Kurrco | 3.4× | 878k | 30k | 4.1k | 1.2k |
| 66 | Jun 6, '25 | Untitled (1953), by Clyfford Still, 1953 | 3.3× | 869k | 42k | 1.9k | 726 |
| 67 | Nov 15, '24 | The Head of Saint John the Baptist on a Charger, by Andrea Solari, 1507 | 3.1× | 809k | 27k | 1.9k | 331 |
| 68 | May 26, '25 | Jealousy, by Edvard Munch, 1913-15 | 3.1× | 802k | 30k | 1.5k | 419 |
| 69 | Dec 28, '24 | The Seventh Seal, directed by Ingmar Bergman, 1957, 📸 by @johnhateclub | 3.0× | 787k | 29k | 2.2k | 741 |
| 70 | Nov 2, '25 | The Good Samaritan, by Joseph Highmore, 1744, 📸 by @patricksmith04 | 3.0× | 780k | 28k | 2.7k | 1.2k |
| 71 | Apr 13, '25 | Der Gestürzte, by Wilhelm Lehmbruck, 1915-16, 📸 by @rheathcote | 2.9× | 748k | 27k | 1.2k | 241 |
| 72 | Nov 10, '24 | @SharpFootball The Sun, by Edvard Munch, 1911 | 2.9× | 747k | 28k | 1k | 439 |
| 73 | Aug 3, '24 | Parting the Waters, by the Rev. Albert Lee Wagner, 1975 | 2.7× | 695k | 33k | 1.6k | 454 |
| 74 | Sep 9, '24 | @letsgo__b4andon I don’t just claim that it’s straight ball knowledge, I’ve shown it. also, change your twitter name, it’s repugnant | 2.6× | 692k | 24k | 486 | 766 |
| 75 | Jul 31, '24 | Closed by Sorcery, by Luis Felipe Noe, 1963, 📸 by @Dan_Mullan | 2.6× | 675k | 33k | 1.3k | 321 |
| 76 | Jul 29, '24 | Welders, by Ben Shahn, 1943 | 2.5× | 666k | 27k | 1.1k | 268 |
| 77 | Nov 25, '24 | @MaximumPump being 99% sure of something you’re 100% wrong on perfectly encapsulates the 2024 experience | 2.3× | 601k | 26k | 643 | 775 |
| 78 | Mar 26, '22 | Man picking fruit from a tree, by Paul Gauguin, 1897 | 1.6× | 0 | 39k | 3.3k | 515 |
| 79 | Jan 19, '25 | @the_draigonn what’s depressing is you’re saying this because of how good it is; people’s default for something being elite shouldn’t be that it’s AI, it should be that only a huma | 1.6× | 431k | 32k | 996 | 283 |
| 80 | Apr 13, '25 | @CobraSpectre this one wasn't pulling from memory in the sense of knowing the exact piece of artwork, but instead having the knowledge that Joan Mitchell likely had something that | 1.4× | 370k | 38k | 256 | 315 |
| 81 | Oct 20, '24 | @CFBONFOX Paesane, by Nuri İyem, 1939 | 1.4× | 364k | 25k | 876 | 310 |
| 82 | May 8, '22 | Pietà with Saint Francis and Saint Mary Magdalene, by Annibale Carraci, 1602-1607 | 1.3× | 0 | 29k | 3k | 405 |
| 83 | May 16, '22 | The Mocking of Christ, Jusepe de Ribera, 1615 | 1.3× | 0 | 28k | 3.3k | 420 |
| 84 | Nov 19, '24 | @asimplefoolblog read the artist name you dolt | 1.2× | 317k | 29k | 253 | 156 |
| 85 | Oct 8, '24 | @nolan_boolin yeah a pick 6 | 1.2× | 316k | 28k | 498 | 158 |
| 86 | Apr 21, '22 | The Abduction of Psyche, by William-Adolphe, 1895 | 1.2× | 0 | 26k | 2.5k | 477 |
| 87 | May 11, '25 | @StanthonyEdwrdz no hands on the face; it’s much more reminiscent of the central figure from Adriaen Brouwer’s 1636 The Smokers | 1.1× | 298k | 34k | 692 | 348 |
@karpathy
@levelsio
@paulg
@naval
@marclou
@illyism